Convergent Friends as New Jazz Traditionalist

Yes­ter­day I men­tioned an inter­est­ing con­ver­sa­tion with Chad Stephen­son years ago about his theory/metaphor that Con­ver­gent Friends were like New Jazz tra­di­tion­al­ists. His piece had only been pub­lished in the Spir­it Ris­ing anthol­o­gy but Chad saw my post and has gra­cious­ly put it up on his blog!

Through­out Quak­er faith, diver­gence from its roots has brought new­er, mod­ern audi­ences to Quak­ers and pro­gressed with new path­ways while aban­don­ing the shared past com­mon­al­i­ties. Yet as a splin­tered tra­di­tion, Quak­ers have begun to suf­fer each oth­er as dis­tant rel­a­tives do when din­ing dur­ing the hol­i­days; a fail­ing coor­di­na­tion of growth which has led instead to dis­uni­ty and a lack of under­stand­ing and respect for com­mon roots essen­tial to cre­at­ing a mutu­al­ly enhanc­ing ecosys­tem of faith ground­ed in the Light.

Con­ver­gent Friends as New Jazz Traditionalists