anglican Posts

Warning: this is a blog post about blogging.

Friends never set out to start to their own religion; what became seen as the more "peculiar" Quaker practices were simply their interpretation of the proper mode of christian living. At some point some of these practices became forms, things done because that's what Quakers are supposed to do. The emptiness of this rationale led some of those in later generations to abandon them altogether. Neither path is very satisfactory. Those of us inspired by the Quaker tradition and have to sift through the half-remembered ancient forms to understand their rationale and continued relevancy.

When reading through Thomas Clarkson's account of Friends circa 1800, I was struck by the differing lengths of explanation needed for two customs. read earlier installments of my series you'll know that Thomas Clarkson was a British Anglican who  spent a lot of time with Friends around the turn of the 19th Century and published an invaluable multi-volumn apology in 1806. "A Portraiture of Quakerism" explains contemporary Friends practices and defends them as legitimate ways to lead a "christian" life.

The two practices that struck me were 1: the Quaker custom of using "thee" in speech and, 2: of using numbers for the names of days of the week and months of the year. Clarkson makes a good defense of the reasons behind the practices:

Many of the expressions, then in use, appeared to him to contain gross flattery, others to be idolatrous, others to be false representatives of the ideas they were intended to convey... Now he considered that christianity required truth, and he believed therefore that he and his followers, who prefessed to be christians in word and deed, and to follow the christian pattern in all things, as far as it could be found, were called upon to depart from all the censurable modes of seech, as much as they were from any of the customs of the world, which christianity had deemed objetionable. (p. 275-6, my edition, p. 199 in this edition in Google Books).

Clarkson takes the next four pages to explain some grammatical history. In Fox's time, "thee" was still at the tail end of being replaced by the grammatically-incorrect "you" for the second person singular, a cultural change that was a "trickle down" of the courtier's desire to flatter so-called superiors in church and state. To a band of religious reformers largely drawn from rural North England, the reappropriation of "thee" was a bold cultural statement. It spoke to both a grammatical integrity and a desire to flatten social classes in a radically idealistic religious society.

Following the history lesson, Clarkson turns to names of the days of the week and months of the years. Most are pagan names. Good christians seeking to honor the one true God and deny any false gods shouldn't spend their days invoking the Norse gods Tyr and Woden or the Roman gods Janus, Mars. Replacing them by Third Day, Fourth Day, First Month and Third Month strips them of their roots in non-christian cultures.

As Clarkson well knew, the question 150 years later (and now 350 years later) is whether these old peculiar customs carry any weight beyond a kind of 17th Century Quaker nostalgia. As he writes:

There is great absurdity, it is said, in supposing, that persons pay any respect to heathen idols, who retain the use of the ancient names of the divisions of time. How many thousands are there, who know nothing of their origin? The common people of the country know none of the reasons.

When I look at old customs I ask two questions:

1. The Elevator rule: could I explain to my peculiarity to a non-Quaker "average Joe" in under two minutes?
2. The Christian rule: could I make the argument that this practice is not just a Quaker oddity but something that every faithful and earnest Christian should consider adopting?

In these cases, thee fails and numbered days passes.

Let me explain: I can't really explain why I would use thee without going into a explanation of pre-17th Century grammar, talking about different forms of second person singular in the history of the English language and the retention of the second person singular in most romance languages. By the time I'd be done I'd come off as an over-educated bore.

In contrast I can say "Wednesday is named after the Norse god Woden, Thursday after Thor, January after the Roman Janus, etc., and as a one-God Christian I don't want to spend my days invoking their names constantly." A one-sentence explanation works even in modern America. I'll still be seen as an odd duck (nothing wrong with that) but at least people will leave the conversation knowing there's someone who thinks we really should be serious about only worshipping one God: mission accomplished, really.

I know faithful Friends who do use thee. I'm glad they do and don't want to double-guess their leadings. But for me the test of keeping it real (which I think is a ancient Quaker principle) means holding onto oddities that still point to their origins.

Sometimes it seems as if moderns are looking back at history through the wrong end of the telescope: everything seems soooo far away. The effect is magnified when we're talking about spirituality. The ancients come off as cartoonish figures with a complicated set of worked out philosophies and prohibitions that we have to adopt or reject wholesale. The ideal is to be a living branch on a long-rooted tree. But how do we intelligently converse with the past and negotiate changes?

Let's talk Friends and music. The cartoon Quaker in our historical imagination glares down at us with heavy disapproval when it comes to music. They're squares who just didn't get it.

Getting past the cartoons

Thomas Clarkson, our Anglican guide to Quaker thought circa 1700, brings more nuance to the scruples. "The Quakers do not deny that instrumental music is capable of exciting delight. They are not insensible either of its power or of its charms. They throw no imputation on its innocence, when viewed abstractly by itself." (p. 64)

"Abstractly by itself": when evaluating a social practice, Friends look at its effects in the real world. Does it lead to snares and tempations? Quakers are engaged in a grand experiment in "christian" living, keeping to lifestyles that give us the best chance at moral living. The warnings against certain activities are based on observation borne of experience. The Quaker guidelines are wikis, notes compiled together into a collective memory of which activities promote--and which ones threaten--the leading of a moral life.

Clarkson goes on to detail Quaker's concerns about music. They're all actually quite valid. Here's a sampling:

• People sometimes learn music just so they can show off and make others look talentless.
• Religious music can become a end to itself as people become focused on composition and playing (we've really decontextualized: much of the music played at orchestra halls is Masses; much of the music played at folk festival is church spirituals).
• Music can be a big time waster, both in its learning and its listening.
• Music can take us out into the world and lead to a self-gratification and fashion.

I won't say any of these are absolute reason to ban music, but as a list of negative temptations they still apply. The Catholic church my wife belongs to very consciously has music as a centerpiece. It's very beautiful, but I always appreciate the pastor's reminder that the music is in service to the Mass and that no one had better clap at some performance! Like with Friends, we're seeing a deliberate balancing of benefits vs temptations and a warning against the snares that the choice has left open.

Context context context

In section iv, Clarkson adds time to the equation. Remember, the Quaker movement is already 150 years old. Times have changed:

Music at [the time of early Quakers] was principally in the hands of those, who made a livelihood of the art. Those who followed it as an accomplishment, or a recreation, were few and those followed it with moderation. But since those days, its progress has been immense... Many of the middle classes, in imitation of the higher, have received it... It is learned now, not as a source of occasional recreation, but as a complicated science, where perfection is insisted upon to make it worth of pursuit. p.76.

Again we see Clarkson's Quakers making distinctions between types and motivations of musicianship. The laborer who plays a guitar after a hard day on the field is less worrisome than the obsessed adolescent who spends their teen years locked in the den practicing Stairway to Heaven. And when music is played at large festivals that lead youth "into company" and fashions, it threatens the religious society: "it has been found, that in proportion as young Quakers mix with the world, they generally imbibe its spirit, and weaken themselves as members of their own body."

Music has changed even more radically in the suceeding two centuries. Most of the music in our lives is pre-recorded; it's ubiquitious and often involuntary (you can't go shopping without it). Add in the drone of TV and many of us spend an insane amount of time in its semi-narcotic haze of isolated listenership. Then, what about DIY music and singalongs. Is there a distinction to be made between testoterone power-chord rock and twee singer-songwriter strums? Between arenas and coffeehouse shows? And move past music into the other media of our lives. What about movies, DVS, computers, glossy magazines, talk shows. Should Friends waste their time obsessing over American Idol? Well what about Prairie Home Companion?

Does a social practice lead us out into the world in a way that makes it hard for us to keep a moral center? What if we turned off the mediated consumer universe and engaged in more spiritually rewarding activities--contemplative reading, service work, visiting with others? But what if music, computers, radio, is part of the way we're engaging with the world?

How to decide?

Finally, in Clarkson's days Friends had an elaborate series of courts that would decide about social practices both in the abstract (whether they should be published as warnings) and the particular (whether a particular person had strayed too far and fallen in moral danger). Clarkson was writing for a non-Quaker audience and often translated Quakerese: "courts" was his name for monthly, quarterly and yearly meeting structures. I suspect that those sessions more closely resembled courts than they do the modern institutions that share their name. The court system led to its own abuses and started to break down shortly after Clarkson's book was published and doesn't exist anymore.

We find outselves today pretty much without any structure for sharing our experiences ("Faith and Practice" sort of does this but most copies just gather dust on shelves). Monthly meetings don't feel that oversight of their members is their responsibility; many of us have seen them look the other way even at flagrantly egregious behavior and many Friends would be outraged at the concept that their meeting might tell them what to do--I can hear the howls of protest now!

And yet, and yet: I hear many people longing for this kind of collective inquiry and instruction. A lot of the emergent church talk is about building accountable communities. So we have two broad set of questions: what sort of practices hurt and hinder our spiritual lives in these modern times; and how do we share and perhaps codify guidelines for twenty-first century righteous living?

Visting 1806's "A portraiture of Quakerism: Taken from a view of the education and discipline, social manners, civil and political economy, religious principles and character, of the Society of Friends"

Thomas Clarkson wasn't a Friend. He didn't write for a Quaker audience. He had no direct experience of (and little apparent interest in) any period that we've retroactively claimed as a "golden age of Quakerism." Yet all this is why he's so interesting.

The basic facts of his life are summed up in his Wikipedia entry (http://en.wikipedia.org/wiki/Thomas_Clarkson), which begins: "Thomas Clarkson (28 March 1760 – 26 September 1846), abolitionist, was born at Wisbech, Cambridgeshire, England, and became a leading campaigner against the slave trade in the British Empire." The only other necessary piece of information to our story is that he was a Anglican.

British Friends at the end of of the Eighteenth Century were still somewhat aloof, mysterious and considered odd by their fellow countrymen and women. Clarkson admits that one reason for his writing "A Portraiture of Quakerism" was the entertainment value it would provide his fellow Anglicans. Friends were starting to work with non-Quakers like Clarkson on issues of conscience and while this ecumenical activism was his entre--"I came to a knowledge of their living manners, which no other person, who was not a Quaker, could have easily obtained" (Vol 1, p. i)-- it was also a symptom of a great sea change about to hit Friends. The Nineteenth Century ushered in a new type of Quaker, or more precisely whole new types of Quakers. By the time Clarkson died American Friends were going through their second round of schism and Joseph John Gurney was arguably the best-known Quaker across two continents: Oxford educated, at ease in genteel English society, active in cross-denominational work, and fluent and well studied in Biblical studies. Clarkson wrote about a Society of Friends that was disappearing even as the ink was drying at the printers.

Most of the old accounts of Friends we still read were written by Friends themselves. I like old Quaker journals as much as the next geek, but it's always useful to get an outsider's perspective (here's a more modern-day example). Also: I don't think Clarkson was really just writing an account simply for entertainment's sake. I think he saw in Friends a model of christian behavior that he thought his fellow Anglicans would be well advised to study.

His account is refreshingly free of what we might call Quaker baggage. He doesn't use Fox or Barclay quotes as a bludgeon against disagreement and he doesn't drone on about history and personalities and schisms. Reading between the lines I think he recognizes the growing rifts among Friends but glosses over them (fair enough: these are not his battles). Refreshingly, he doesn't hold up Quaker language as some sort of quaint and untranslatable tongue, and when he describes our processes he often uses very surprising words that point to some fundamental differences between Quaker practice then and now that are obscured by common words.

Thomas Clarkson is interested in what it's like to be a good christian. In the book it's typeset with lowercase "c" and while I don't have any reason to think it's intentional, I find that typesetting illuminating nonetheless. This meaning of "christian" is not about subscribing to particular creeds and is not the same concept as uppercase-C "Christian." My Lutheran grandmother actually used to use the lowercase-c meaning when she described some behavior as "not the christian way to act." She used it to describe an ethical and moral standard. Friends share that understanding when we talk about Gospel Order: that there is a right way to live and act that we will find if we follow the Spirit's lead. It may be a little quaint to use christian to describe this kind of generic goodness but I think it shifts some of the debates going on right now to think of it this way for awhile.

Clarkson's "Portraiture" looks at peculiar Quaker practices and reverse-engineers them to show how they help Quaker stay in that christian zone. His book is most often referenced today because of its descriptions of Quaker plain dress but he's less interested in the style than he is with the practice's effect on the society of Friends. He gets positively sociological at times. And because he's speaking about a denomination that's 150 years old, he was able to describe how the testimonies had shifted over time to address changing worldly conditions.

And that's the key. So many of us are trying to understand what it would be like to be "authentically" Quaker in a world that's very different from the one the first band of Friends knew. In the comment to the last post, Alice M talked about recovered the Quaker charism (http://en.wikipedia.org/wiki/Charism). I didn't join Friends because of theology or history. I was a young peace activist who knew in my heart that there was something more motivating me than just the typical pacifist anti-war rhetoric. In Friends I saw a deeper understanding and a way of connecting that with a nascent spiritual awakening.

What does it mean to live a christian life (again, lowercase) in the 21st Century? What does it mean to live the Quaker charism in the modern world? How do we relate to other religious traditions both without and now within our religious society and what's might our role be in the Emergent Church movement? I think Clarkson gives clues. And that's what this series will talk about.

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A few new blogs to check out.

Over at Icthus, there's an interesting post by vaughnthompson that includes this:

If you're a Christian who was nurtured in protestant fundamentalism and you're between the ages of 25-40 chances are that her story is simlar to your own. Indeed, there is a generation of Christians who feel the need to "re-discover" for themselves historic Christianity. Two of the places that this generation of Christians seem to be turning is 1- the "liturgical" churches (Anglican, Catholic, & Orthodox) and 2- the "Emergent" churches (who borrow many of their practices from the liturgical churches).

I've wondered many times whether Friends could also be a place for these seekers. The Icthus post is a review of a new blog called Feminary, written by someone who calls herself a "socially liberal theologically conservative inclusive tolerant feminist Episcopalian." If that description isn't enough to get you to check out her site I don't know what will!

PS: I've recently been rewriting last month's Quaker Testimonies piece.

A few weeks ago I got a bulk email from a prominent sixty-something Friend, who wrote that a programmed New Age practice popular in our branch of Quakerism over the last few years has been a "crucial spiritual experience for a great many of the best of our young adult Friends to whom [Liberal Friends] must look for its future" and that they represented the "rising generation of dedicated young adult Friends." Really? I thought I'd share a sampling of emails and posts I've gotten over just the last couple of days.