Throughout Quaker faith, divergence from its roots has brought newer, modern audiences to Quakers and progressed with new pathways while abandoning the shared past commonalities. Yet as a splintered tradition, Quakers have begun to suffer each other as distant relatives do when dining during the holidays; a failing coordination of growth which has led instead to disunity and a lack of understanding and respect for common roots essential to creating a mutually enhancing ecosystem of faith grounded in the Light.

Convergent Friends as New Jazz Traditionalists

Especially artists and musicians, we often don’t have the same point of view or even the same background. Each of us will bring a lot of baggage into the meeting of the musicians and we have to build trust with each other and people need to feel free to express their ideas as a soloist without feeling told by the leader how exactly to play—we have to work it out as an ensemble. And I think that’s very true with meetings also.

Those with long memories might remember that I interviewed Chad Stephenson after he made a comparison between new jazz traditionalists and Convergent Friends at the 2009 Ben Lomond conference (I believe he wrote an expanded version for the Spirit Rising Quaker anthology but I can’t find a link).