Animated gifs have grown up. They make up half the posts on Tumblr. They are often derived from funny scenes in movies and come with humorous captions. The Planet Money piece uses them for storytelling: text is illustrated by six gifs showing different parts of the recycling process. The movement helps tell the story–indeed most of the shots would be visually uninteresting if they were static.

The short loops reminds me of Vine, the six-second video service from Twitter which I’ve used a lot for silly kid antics. They can also tell a simple story (they’re particularly well suited to repetitive kid antics: up the steps, down the slide, up the steps, down the slide, up…).

In my work with Friends Journal I’ve done some 7–12 minute video interviews with off-site authors using Google Hangouts, which essentially just records the video conversation. It’s fine for what we use it for, but the quality depends a lot on the equipment on the other end. If the bandwidth is low or the webcam poor quality, it will show, and there are few options for post-production editing. But honestly, this is why I use Hangouts: a short web-only interview won’t turn into a weeklong project.

Producing high-quality video requires controlling all of the equipment, shooting ten times more footage than you think you’ll need, and then hours of work condensing and editing it down to a story. And after all this it’s possible you’ll end up with something that doesn’t get many views. Few Youtube users actually watch videos all the way through to the end, drifting away to other internet distractions in the first few minutes.

I like the combination of the simple short video clips (whether Vine or animated gif) wedded to words. My last post here was the very light-weight story about a summer afternoon project. Yesterday, I tried again, shooting a short animated gif of Tibetan monks visiting a local meetinghouse. I don’t think it really worked. They’re constructing a sand mandala grain-by-grain. The small movements of their funnel sticks as sand drops is so small that a regular static photo would suffice. But I’ll keep experimenting with the form.

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This is a style of photography I got into a few years ago. It’s appeal is simple: it takes little technical expertise and the process itself is limited in time. Everything boils down to basic form: a successful photo depends on setting up a good shot and then bringing it’s potential out in the burnishing.

HOW IT’S DONE:

Anyone who used Polaroids as a kid will remember the wait. When the film comes out of the camera, it’s still black. Within a few minutes a ghost of the photo begins to appear, a image which is fleshed out in about ten minutes time. During this time, the photo is developing inside of it’s plastic casing. If you press hard on the plastic before the photo comes out, all sorts of effects can be achieved. Depending on the pressure and temperature, you can get colors to bend, scratches to streak across the photo, etc. If done well, the burnishing can take on the effect of brush strokes and create an impressionististic photograph.

This is not a burnished Polaroid of course. I took this with more traditional photographic equipment in the summer of 1991. I was on British Columbia’s Gabriola Island for the annual meeting of my employer, New Society Publishers, a meeting place which allowed for wonderful outdoor distractions. One was sea kyacking through the passes around the island.

What we didn’t know was that one particular channel served as the take-off strip for the island’s seaplanes. I was safely onboard a boat at the end of the pass when I saw the plane start out of the docks you see in the distance. Two workmates were leisurely paddling their way toward us when they heard the sound behind them. As Barbara relates, she knew if that plane didn’t get airborne in time she’d be goners. Luckily it made it and so did they…
 Last updated January 28, 1997

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