Tag Archives ⇒ print

Generational strategies for Quaker outreach

August 5, 2018
· Martin Kelley

From Emi­ly Provance:

An under-45 com­mu­ni­ca­tions strat­e­gy, in con­trast, would most­ly involve social media (Face­book, Insta­gram, Twit­ter, pos­si­bly Tum­blr or Pin­ter­est). Arti­cles would be short and would con­tain most­ly con­tent direct­ly rel­e­vant to the read­er — or, if the con­tent were not direct­ly rel­e­vant, it would be single-story nar­ra­tives with an empha­sis on per­son­al impact. Announce­ments would come out through mes­sen­ger apps or text mes­sages, with a strong ele­ment of user con­trol about which announce­ments to receive and which not. Pho­tos and videos would be used frequently.

I’m always a bit wary of gen­er­a­tional deter­min­ism. I think gen­er­a­tional ideas are more like under­ly­ing trends that get more or less trac­tion over time. And Quak­er dig­i­tal out­reach in par­tic­u­lar has been a thing for a quar­ter cen­tu­ry now. But the under­ly­ing mes­sage — that some peo­ple need to be reached dig­i­tal­ly while oth­ers are still best served by print — is a sound one and I’m glad Emi­ly’s bring­ing it up.

But it’s still kind of sad that we still need to make this kind of argu­ment. I remem­ber hav­ing these dis­cus­sions around an FGC out­reach com­mit­tee table fif­teen years ago: sure­ly we’re all on board about the need for dig­i­tal out­reach in 2018?

The 45-Yard Line

Creativity and the Arts

June 1, 2018
· Martin Kelley

Hap­py first of the month. The new issue of Friends Jour­nal is up and it’s a great one: Cre­ativ­i­ty and the Arts. This is actu­al­ly the first issue on the arts since the mag­a­zine went to col­or in 2013. Here’s a bit of the intro­duc­to­ry Among Friends col­umn writ­ten by yours tru­ly:

This overt dis­trust of the arts fad­ed away a long time ago. Today, the sheer vol­ume of cre­ativ­i­ty among Friends is impres­sive. When we put out a call for this issue, we had far more sub­mis­sions than we could pos­si­bly print. A dozen more artists told us they would love to write some­thing but were too busy cre­at­ing to do so at this time. Faced with a bit of a dilem­ma, we’ve cre­at­ed a sam­pler: each of the arti­cles in these pages rep­re­sents a dif­fer­ent facet of cre­ativ­i­ty among Friends.

Through­out the diverse dis­ci­plines of visu­al arts, music, writ­ing, pho­tog­ra­phy, community-based art, and per­for­mance art, a com­mon thread harks back to the con­cerns of those ear­li­er Friends: there’s still a con­sci­en­tious­ness around art.

I’ll talk more about indi­vid­ual arti­cles as we fea­ture them but in the mean­time, feel free to leave me your ini­tial thoughts in the com­ments below. Bummed that you did­n’t write any­thing? The issue on Meet­ings and Mon­ey is look­ing for sub­mis­sions.


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Mothers Day 2016 L‑O-V‑E

May 9, 2016
· Martin Kelley

DIY Mother's Day present kid handprint.

Last year, the kids and I made a framed hand­print collage-like present for Julie and Moth­ers Day (right). This year I fol­lowed it up with a folksy pho­to of each of the kids hold­ing up hand-drawn let­ters spelling out “LOVE.” This was inspired by this 2009 post on a blog called The Inad­ver­tent Farmer.

The first step was get­ting pic­tures of each kid with a let­ter. It was­n’t too bad as I just had to take enough to get each one look­ing cute.

Here are the four pictures that went into this year's frame. As you can see, it is very basic, just paper and marker. Writing the letters freeform gives it a folksy, personalized charm.

A trick­i­er task was find­ing a frame to dis­play four pic­tures. It took the third store before I lucked out. Because of the tim­ing, I had actu­al­ly print­ed the pic­tures before I had the frame and so had fin­gers crossed that the size would work.

Mothers Day T-minus-one: Three of the kids helped me frame the pictures the night before.

Framed Mothers Day presents two years running!

Once made, the absolute hard­est was get­ting a group shot of the kids with Julie hold­ing it!

Proud Mama with her Mothers Day present from the kids.

Tract Association of Friends

March 15, 2011
· Martin Kelley

Tract Association of FriendsThe Tract Asso­ci­a­tion is ven­er­a­ble Quak­er pub­lish­er dat­ing back to the ear­ly part of the Nine­teenth Cen­tu­ry. They had a web­site but want­ed a new one built with a con­tent man­age­ment sys­tem that would allow for eas­i­er edit­ing. The new site is built in Word­Press. Befit­ting the orga­ni­za­tion’s ethos, the site is rel­a­tive­ly plain but there’s a lot going on under­neath the surface.

Many peo­ple use the site to print out copies of the tracts. There’s a spe­cial print stylesheet – cre­at­ed by the tem­plate design­er and cus­tomized by me – that means print-outs of these pages will be very clean and unclut­tered, per­fect for per­son­al pho­to­copy­ing. There’s the abil­i­ty to make tracts avail­able as PDFs through Scribd and there’s a inter­face in the Word­Press dash­board to allow embed­ding of these in the sidebar.

Philadelphia Metropolis

January 13, 2010
· Martin Kelley

Metropolis - Philadelphia News and Journalism

Metrop­o­lis is a “news, analy­sis and com­men­tary” site from vet­er­an Philadel­phia reporter Tom Fer­rick (Wikipedia). An alum of The Philadel­phia Inquir­er, Tom’s spent the last half-dozen years talk­ing to every­one who will lis­ten about the future of print and Philly news. He’s done talk­ing and is show­ing what can be done on a bud­get bud­get. From “This is Metrop­o­lis,” the lead article:

Local news­pa­pers, TV and radio sta­tions are retreat­ing from in-depth cov­er­age of region­al news either due to eco­nom­ic or audi­ence considerations.

The retreat has been grad­ual, but no one expects it to stop. The com­pa­ny that owns the region’s largest news­pa­pers — the Inquir­er and Dai­ly News — is in bank­rupt­cy. The size of the edi­to­r­i­al staffs at the papers con­tin­ues to shrink. The prog­no­sis for metro dailies here and else­where is not good. The jour­nal­ism prac­ticed by these papers is still robust, but the eco­nom­ic mod­el that has sus­tained it is erod­ing. If these tra­di­tion­al sources of news fal­ter or fail what will take their place?

The site was built in Mov­able Type. The most promi­nent fea­ture is the slideshow dis­play of fea­tured arti­cles. Tom has seen a sim­i­lar effect on anoth­er jour­nal­ism site and a search found the “Slid­ing Hor­i­zon­tal Ban­ner Rota­tor” at Active Den, a great site to pur­chase pre-built Flash files. Mov­able Type entries are out­fit­ted with cus­tom fields to enter images and links. Mov­able Type then cre­ates a cus­tom XML file for the “Main Sto­ries” feed, which is then picked up and dis­played by the Flash ban­ner. In addi­tion, the site uses Google Adsense to pro­vide income.

Vis­it: Philadel­phia Metropolis

Con­tin­ue read­ing →

Resources on Quaker Plain Dress

July 30, 2001
· Martin Kelley

This is a list of testimonies, guides, books and resources on the Christian testimony of plainness, historical and present. It focuses on the traditionalist Quaker understanding of plainness but it’s not restricted to Quaker notions: you’ll find links and discussions to the related concepts of modest dress and simple dress.

If thou wilt be faith­ful in fol­low­ing that inward wit­ness that has been so long plead­ing with thee, thy sins shall all be for­giv­en and I will be with thee and be thy preserver. 
–William Hobbs, quot­ed in Ham­m’s Trans­for­ma­tion of Amer­i­can Quak­erism. (p.3)

Back in the sum­mer of 2002 my wife and I became inter­est­ed in Quak­er tra­di­tions of plain dress (here’s some idea of how we look these days). Try­ing to dis­cern the issues for myself, I found very lit­tle on the inter­net, so here’s my page with what­ev­er tes­ti­monies, tips and links I can find. I’m start­ing to col­lect stories:

Literary Plainness

  • Friends accom­plished in the min­istry were often encour­aged to write jour­nals of their lives in their lat­er years. These jour­nals had a dis­tinct func­tion: they were to serve as edu­ca­tion and wit­ness on how to live a prop­er Quak­er life. As such, they also had a dis­tinct lit­er­ary form, and writ­ers almost always gave an account of their con­ver­sion to plain dress. This usu­al­ly accom­pa­nied a pro­found con­vince­ment expe­ri­ence, where­in the writer felt led to cast aside world­ly fash­ions and van­i­ty. Howard Brin­ton wrote about some of the lit­er­ary forms of the clas­sic Quak­er Jour­nals.

Books on Plainness, a short bibliography

  • The Quak­er: A Study in Cos­tume. By Amelia Gum­mere, 1901 (out of print, gen­er­al­ly avail­able used for around $50). As the sub­ti­tle sug­gests, Gum­mere is crit­i­cal of the “cos­tumes” of plain dress­ing Quak­ers. She argued that Friends need­ed to cast aside the musty pecu­liarisms of the past to embrace the com­ing social­ist world of the Twen­ti­eth Cen­tu­ry. Although unsym­pa­the­ic, this is the most-frequently ref­er­enced book on Quak­er plain dress. To get a sense of the turn-of-the-century Quak­er embrace of moder­ni­ty, I rec­om­mend Jer­ry Frost’s excel­lent talk at the 2001 FGC Gath­er­ing, “Three Twentieth-Century Rev­o­lu­tions.”
  • “Why Do They Dress That Way?” By Stephen Scott, Good Books, Inter­course, PA, 1986, 1997, avail­able from Anabap­tist Book­store. A well-written and sym­pa­thet­ic intro­duc­tion to modern-day reli­gious groups that con­tin­ue to wear plain dress.
  • Quak­er Aes­thet­ics. Sub­ti­tled “Reflec­tions on a Quak­er Eth­ic in Amer­i­can Design and Con­sump­tions,” this is a 2003 col­lec­tion of essays put togeth­er by Emma Jones Lap­san­sky and Anne E. Ver­planck. There’s lots of good stuff in here: see Mary Anne Caton’s “The Aes­thet­ics of Absence: Quak­er Wom­en’s Plain Dress in the Delaware Val­ley, 1790 – 1900” which does an excel­lent job cor­rect­ing some of Gum­mere’s stereo­types. Although I’ve only had time to skim this, Caton seems to be argu­ing that Friends’ def­i­n­i­tions of plain­ness were more open to inter­pre­ta­tion that we com­mon­ly assume and that our stereo­types of a Quak­er uni­form are based in part in a way of colo­nial re-enacting that began around the turn of the century.
  • Meet­ing House and Cout­ing House: Tolles’ book has some ref­er­ence to plain­ness on page 126. Have to look into this.

Posts and websites on Plainness

  • Dis­cus­sion thread on Quak­er Plain­ness on QuakerRoots
  • Short His­to­ry of Con­ser­v­a­tive Friends: Most plain dress­ing Friends today are part of the Wilburite/Conservative tra­di­tion. This online essay does an excel­lent job show­ing this branch of Friends and is a good coun­ter­point to his­to­ries that down­play the Wilbu­rite influ­ence in con­tem­po­rary Quakerism.
  • A num­ber of the blogs I list in my guide to Quak­er web­sites fre­quent­ly deal with issues of plain dress. See also: Quak­er Jane.
  • Anabap​tists​.Org and Anabap​tist​books​.com. Through­out most of the last 350 years, Friends have been the most vis­i­ble and well-known plain dressers, but today the Amish, Men­non­ites and oth­er Anabap­tists have most faith­ful­ly car­ried on the tra­di­tion. Quak­ers have a lot to learn from these tra­di­tions. These sites are put togeth­er by a Con­ser­v­a­tive Men­non­ite in Ore­gon. His wife makes plain dress­es, for sale through the bookstore. 

Clothing Sources

Online tutorials

  • My own guide to order­ing Quak­er plain men’s clothes from Gohn Broth­ers.

The Revolution will be Online

August 6, 1995
· Martin Kelley

This essay was orig­i­nal­ly writ­ten in 1995.

IT’S HARD TO IGNORE the sor­ry shape of the social change com­mu­ni­ty. The signs of a col­lapsed move­ment are every­where. Orga­ni­za­tions are clos­ing, cut­ting back, lay­ing off staff, and drop­ping the fre­quen­cy of their magazines. 

On top of this, the basic resources we’ve depend­ed on are get­ting scarcer. Paper prices and postage prices are going up. Direct mail solic­i­ta­tions are for many economically-unfeasible now. With every aban­doned mail­ing list, with every dis­con­tin­ued peace fair, we’re los­ing the infra­struc­ture that used to nour­ish the whole movement. 

Here in Philadel­phia, the last few years have seen food coops close, peace orga­ni­za­tions lay off staff, and the book­stores dis­con­tin­ue their polit­i­cal titles. I’ve been meet­ing peo­ple only a half-generation younger than I who aren’t aware of the basic orga­niz­ing prin­ci­ples that the move­ment has built up over the years and who don’t know the mean­ings of Green­ham Com­mon or the Clamshell Alliance

Like many of you, I’m not giv­ing up. We can’t just aban­don our work because it’s becom­ing more dif­fi­cult. We need to strug­gle to find cre­ative ways of get­ting our mes­sage out there and com­mu­ni­cat­ing with oth­ers. What we need is a new media.

The Promise of the Web

The Web’s rev­o­lu­tion is it’s incred­i­bly min­i­mal costs. Fif­teen dol­lars a month gets you a home­page. As an edi­tor at New Soci­ety Pub­lish­ers (1991 – 1996), I’ve always had to wor­ry whether we’d lose mon­ey on a par­tic­u­lar edi­to­r­i­al project, and it some­times seemed a rule of thumb that what excit­ed me would­n’t sell. With the Web, we don’t have to wor­ry if an idea isn’t pop­u­lar because we’re not putting the same lev­el of resources into each publication.

Nev­er before has pub­lish­ing been so cheap. Just about any­one can do it. You don’t need a par­tic­u­lar­ly fast or fan­cy com­put­er to put Web pages online. And you don’t have to wor­ry about dis­tri­b­u­tion: if some­one sets their Web brows­er to your address, they’ll get you “prod­uct” instantly.

All the forces push­ing move­ment pub­lish­ing over the edge of finan­cial insol­ven­cy dis­ap­pear when we go online. Switch­ing to the Web is a mat­ter of keep­ing our words in print. The Web is the lat­est inven­tion to open up the dis­tri­b­u­tion of words by birthing new medias. The print­ing press begat mod­ern book pub­lish­ing just as the pho­to­copi­er begat zine cul­ture. The Web can like­wise spawn a media where words can flour­ish with less cap­i­tal than ever before.

Advertising Each Other

The prob­lem with the Web is not acces­si­bil­i­ty, but rather being heard above the noise. Peo­ple gen­er­al­ly find your web­site in two ways. The first is that they see your web address in your newslet­ter, get on their com­put­ers and look you up; this of course only gets you your own peo­ple. The sec­ond way is through links.

Links take you from one web­site to anoth­er. Web­page design­ers try to get linked from sites of sim­i­lar inter­est to theirs, hop­ing the read­ers of the oth­er site will fol­low the link to their web­page. This bounc­ing from site to site is called surf­ing, and it’s the main way around the web.

Link­ing is a very prim­i­tive art nowa­days. The Non­vi­o­lence Web has inter­nal links that active­ly invite read­ers to explore the whole NV-Web. Every­time some­one comes into the NV-Web through a mem­ber group, they will be inticed to stay and dis­cov­er the oth­er groups. By putting social change groups togeth­er in one place, we can have a much-more dynam­ic cross-referencing. Think of it as the equiv­a­lent of trad­ing mail­ing lists in that we can all share those web surfers who find any one of us.

In the web world as in the real one, coop­er­a­tion helps us all. If you’re an activist group doing work on non­vi­o­lent social change then con­tact us and we’ll put your words online. For free. If you have your own web­site already, then let’s talk about how we can crosslink you with oth­er groups work­ing on non­vi­o­lent social change.

Come explore the Non­vi­o­lence Web and let us get you con­nect­ed. Come join our revolution.

In peace,

Mar­tin Kelley