Author Archives ⇒ Martin Kelley

Maple sugaring at Howell Living History Farm

February 25, 2016
· Martin Kelley

photo_25126572241_oYes­ter­day the fam­i­ly trav­eled north of Tren­ton to a liv­ing his­to­ry farm to learn about maple sugaring.The kids col­lect­ed buck­ets of sap, prac­ticed drilling a tap, watched the boil­ing off process in a “sug­ar shack,” cut fire­wood, and then — yes! — ate some pan­cakes with farm-made maple syrup.

Reg­u­lar read­ers might remem­ber a trip to How­ell Farm last Feb­ru­ary, when the weath­er was cold enough for ice har­vest­ing on the lake.

Yes­ter­day’s vis­it was a mud­dy, sog­gy day and the lake was clear. But I think every­one had just as much fun. See more pics on our Flickr set:

Screen Shot 2016-02-25 at 10.08.55 AM

 

Hashtagging politics

February 19, 2016
· Martin Kelley

I’ve been most­ly sit­ting out the Hillary vs Bernie debates. I’m in a late vot­ing state and I have bet­ter things to do than get into Face­book flame wars. I have a nat­ur­al polit­i­cal bias toward Sanders, but I respect Hillary Clin­ton’s accom­plish­ments and would rather see a cen­trist than any of the increasingly-insane GOP candidates.

With that said, I’m notic­ing a num­ber of retweet­storms of anti-Sanders quips fill­ing my Twit­ter feed. I’m sure the infa­mous “Bernie Bros” exist, but most of the dis­mis­sive posts I see are from Hillary sup­port­ers. A lot of them seem to sim­ply be mad that he would run (and be run­ning so well). Oth­ers attack him for things said or done by sup­port­ers with no con­nec­tion to the Sanders campaign.

I don’t know if it’s my observ­er bias giv­en my pol­i­tics and/or the make­up of friends but my dis­tinct impres­sion is that my Bernie-supporting friends are excit­ed by Bernie and his ideas while my Hillary-supporting friends are mad at Bernie and his ideas and followers.

Michelle Alexander on the black vote, the Clinton brand — and of course, mass incarceration

February 10, 2016
· Martin Kelley

Michelle Alexan­der on the black vote, the Clin­ton brand — and of course, mass incar­cer­a­tion.

Alexan­der is one of the lead­ing voic­es on the rise of a lev­el of mass incar­cer­a­tion in this coun­try in the last 25 years. It’s hard to over­state just how dev­as­tat­ing our prison-industrial com­plex has become. The huge num­bers of African Amer­i­can men in jails for non­vi­o­lent crimes begs com­par­i­son to the dark­est days of slav­ery. Bill Clin­ton esca­lat­ed mass incar­cer­a­tion and the “War on Drugs” as a way to prove his polit­i­cal toughness.

The love affair between black folks and the Clin­tons has been going on for a long time. It began back in 1992, when Bill Clin­ton was run­ning for pres­i­dent. He threw on some shades and played the sax­o­phone on The Arse­nio Hall Show. It seems sil­ly in ret­ro­spect, but many of us fell for that. At a time when a pop­u­lar slo­gan was “It’s a black thing, you wouldn’t under­stand,” Bill Clin­ton seemed to get us. When Toni Mor­ri­son dubbed him our first black pres­i­dent, we nod­ded our heads. We had our boy in the White House. Or at least we thought we did.

We tend to remem­ber the Clin­ton Admin­is­tra­tion through rose-colored glass­es but there were a lot of WTF moments we’ve for­got­ten – three strikes, the sanc­tions against Iraqi civil­ians, the way cruise mis­sile strikes seemed to mag­i­cal­ly coin­cide with admin­is­tra­tion scan­dals, Bil­l’s ser­i­al phi­lan­der­ing and Hillary’s slut-shaming respons­es. On paper, HRC is the most qual­i­fied can­di­date to ever run for the pres­i­den­cy. But if she’s run­ning on the Clin­ton brand, she needs to explain how her polit­i­cal choic­es dif­fer from her hus­band’s 20 years ago.

An Open Letter To David Byrne from Radio Paradise

February 2, 2016
· Martin Kelley

Radio Par­adise is one of my go-to online radio sta­tions. Much of my music dis­cov­ery in the last five years has come from its thought­ful and eclec­tic feed. The music scene in this coun­try would be tru­ly impov­er­ished if these small niche sta­tions were shut down because of unsus­tain­able licens­ing charges. Appar­ent­ly David Bryne is one of the peo­ple who decides these things. Let’s hope he sup­ports musi­cal diver­si­ty and quirkiness.

An Open Let­ter To David Byrne – RAIN News

Distant signals from the future

January 19, 2016
· Martin Kelley

radioI was in ear­ly high school when I got my first alarm clock radio. My par­ents were a bit old­er when I was born, so the LPs in the back of our hall clos­et were a generation-and-a-half out-of date: I remem­ber most­ly musi­cal sound­tracks like South Pacif­ic and West Side Sto­ry. My old­er broth­er had brought the Bea­t­les into our house but he had moved away for col­lege and adult­hood years before and the only trace of his musi­cal influ­ence was a Simon & Gar­funkel great­est hits 8‑track tape my mom had bought for a pen­ny from the Time-Life record club.

In my bed­room late at night in the ear­ly 80s, I explored the sounds inside my new radio. I would bury myself under­neath my Star Trek sheets, pull the radio inside, and lis­ten with vol­ume bare­ly per­cep­ti­ble. Three was no real rea­son for the secre­cy. I’m sure my par­ents wouldn’t have par­tic­u­lar­ly cared. But I was a pri­vate kid. I didn’t want to let on that I was curi­ous about the adult world. Pop radio and MASH reruns were my secret.

I had had a short­wave radio in mid­dle school and brought the thrill of long-distance dis­cov­ery to my radio explo­rations. Geog­ra­phy and sound had more mys­tery in those days before the inter­net. On a cold, clear night, I could tune in AM pow­er­hous­es half a con­ti­nent away.

One par­tic­u­lar­ly cold night, one of these dis­tant sig­nals played a song I had nev­er heard or even imag­ined. It was half-drowned out by sta­t­ic. The sig­nal drift­ed in and out in waves but I lis­tened mes­mer­ized. To a intro­vert­ed kid in a sleep Philly sub­urb, this song was a key to a yearned-for future. I was instant­ly cer­tain that that no one around me had ever heard this song. If only I could make out some words, maybe I could spend the next year scan­ning the dis­tant radio bands to hear it again. As I got old­er, I could go into the city to scour bins in the seed­i­est of indie record stores. This song no one knew would be a touch­stones to a new adult­hood I was con­struct­ing in the secret of my bedroom.

As the fade came, I bare­ly caught the DJ’s words through the sta­t­ic. “Hotel Cal­i­for­nia.” I vowed to myself that some­day, some­how, I would find this song and hear it again.

RIP Glenn Frey.

Some thoughts on the Twitter expansion

January 5, 2016
· Martin Kelley

Twit­ter has always been a com­pa­ny that suc­ceeds despite its lead­er­ship. Many of its land­mark fea­tured start­ed as hacks by users. Its first apps were all cre­at­ed by third-party design­ers, whose good will to the curb when it about-faced and killed most of them by restrict­ed its API. Top-down fea­tures like Twit­ter Music have come and gone. The only inter­est­ing grass­roots inno­va­tion of recent years has been users using image attach­ments as a way of going past the 140 char­ac­ter limit.

I’ve been get­ting less patient with Twit­ter in recent months. Then-CEO Dick Costel­lo acknowl­edged their fail­ure han­dling abu­sive sit­u­a­tions ear­ly in 2015 but noth­ing much seems to have changed. Hav­ing co-founder Jack Dorsey come back this in Job­sian fash­ion has been encour­ag­ing but only to a point — there’s a lot of weird ego involved in it all. Twitter’s inabil­i­ty to pro­mote diver­si­ty and the tone-deafness of hir­ing a white man as diver­si­ty chief last month makes me won­der if it’s just final­ly going to do a full Yahoo and implode in slow motion.

But today some­thing new: we’re look­ing at doing away with the 140 char­ac­ter lim­it. My ini­tial reac­tion was hor­ror but if done well it could be inter­est­ing. I’ve always won­dered why they didn’t part­ner with blog­ging plat­form Medi­um (found­ed by anoth­er co-founder, fea­tur­ing sim­i­lar core prin­ci­ples). The key will be keep­ing the feed at 2 – 3 lines so we can scan it quick­ly, with some sort of but­ton or link to expand past 140 or so characters.

One could argue that these “fat­ter tweets” is Twitter’s way of build­ing the pop­u­lar long-text pic­ture hack into the sys­tem. Could Twit­ter man­age­ment be ready to look at users as co-creators of the wider Twit­ter culture?